Pamono 513 Reflex Storage Unit by Charlotte Perriand for Cassina> Storage

Storage unit designed by Charlotte Perriand in 1939. Relaunched in 2014. Manufactured by Cassina in Italy. Part of the Cassina collection since 2004, the Riflesso storage unit created in 1958 by Charlotte Perriand in association with Steph Simon has a new iteration. As in the case of the Tables en forme, which were designed in the 1930s and then upgraded in the 1950s to a more mature configuration, this multifunctional piece is characterised by wooden shelves with rounded edges with a strong Japanese influence, which was a common theme in Perriand’s oeuvre. As was the case with all her furniture produced during this period, the expressiveness of the material itself became a distinguishing feature, creating soft eye-catching shapes of great elegance. Originally available in just one size and two heights, and only in a black finish, the new version is larger. The piece is available in mahogany, the sliding doors being natural or black anodised aluminium. Important information regarding images of products: Please note that some of the images show other colors and variations of the model, these images are only to present interior design proposals. The item that is selling is on the first image. Important information regarding colour(s) of products: Actual colours may vary. This is due to the fact that every computer monitor, laptop, tablet and phone screen has a different capability to display colours and that everyone sees these colours differently. We try to edit our photos to show all of our products as life-like as possible, but please understand the actual colour may vary slightly from your monitor About the designer: Charlotte Perriand (1903-1999) she was born in Paris in 1903 and attended the E´cole de l’Union centrale des Arts décoratifs from 1920-1925. Charlotte Perriand designed furniture made of anodized aluminium and chromium-plated steel, showing it at the 1927 “Salon d’Automne” in Paris. After meeting Le Corbusier, Charlotte Perriand worked with him and Pierre Jeanneret until 1937. The revolutionary tubular steel furnishings and system furniture designed by the three were presented as “Équipement de l’habitation” (home equipment) at the 1929 “Salon d’Automne,” where they were widely acclaimed. In 1930 the Union Des Artistes Modernes (UAM) was founded in Paris, a group that viewed itself as a countermovement challenging such establishment organizations as the “Salon d’Automne” and also advocated Art Deco and Modernism.