Workshop of Andrea del Sarto, pseudonym of Andrea d’Agnolo di Francesco (Florence 1486 – 1530)
Attributable to Jacopo di Giovanni di Francesco, called Jacone (Florence, 1492 – 1554)
Oil on panel (72 x 56 cm – Framed 109 x 94 cm)
Provenance:
Sotheby’s New York, January 29, 2016, Master Paintings Sale, lot 426, as Jacopo di Giovanni di Francesco, called Jacone (Florence, 1492 – 1554) – estimate ($30,000 – $40,000)
The painting, dated to the mid-16th century, depicts the Madonna lovingly holding the Christ Child with both hands. The child, gazing intently at us with a flirtatious yet intimidating smile, is tenderly clinging to his mother, using her left leg for support. He appears distracted by the viewer’s presence, and his sudden twist activates the painting.
The plastic style, incisive yet formally harmonious and well-balanced, allows us to place the painting among the finest examples of the Florentine Renaissance. Focusing on the details, it’s easy to trace the work back to the workshop of Andrea del Sarto (Florence 1486–1530), one of the most outstanding exponents of this period, described by Vasari as a painter “without errors,” praising his formal perfection, speed, and sureness of execution.
ADDITIONAL INFORMATION:
The painting is sold with a beautiful frame and comes with a certificate of authenticity and an iconographic .
The seller assumes all responsibility for this listing.
About This Piece
Workshop of Andrea del Sarto, pseudonym of Andrea d’Agnolo di Francesco (Florence 1486 – 1530)
Attributable to Jacopo di Giovanni di Francesco, called Jacone (Florence, 1492 – 1554)
Oil on panel (72 x 56 cm – Framed 109 x 94 cm)
Provenance:
Sotheby’s New York, January 29, 2016, Master Paintings Sale, lot 426, as Jacopo di Giovanni di Francesco, called Jacone (Florence, 1492 – 1554) – estimate ($30,000 – $40,000)
The painting, dated to the mid-16th century, depicts the Madonna lovingly holding the Christ Child with both hands. The child, gazing intently at us with a flirtatious yet intimidating smile, is tenderly clinging to his mother, using her left leg for support. He appears distracted by the viewer’s presence, and his sudden twist activates the painting.
The plastic style, incisive yet formally harmonious and well-balanced, allows us to place the painting among the finest examples of the Florentine Renaissance. Focusing on the details, it’s easy to trace the work back to the workshop of Andrea del Sarto (Florence 1486–1530), one of the most outstanding exponents of this period, described by Vasari as a painter “without errors,” praising his formal perfection, speed, and sureness of execution.
ADDITIONAL INFORMATION:
The painting is sold with a beautiful frame and comes with a certificate of authenticity and an iconographic .
Click here for full descriptionClose description
| Period | Before 1890 |
|---|---|
| Year | 1530 |
| Production Period | Before 1890 |
| Country of Manufacture | Italy |
| Identifying Marks | This piece is attributed to the above-mentioned designer/maker. It has no attribution mark |
| Style | Classical, Figurative, Gothic, Italian, Louis XIII, Medieval, Mediterranean, Old Masters, Portraiture, Religious, Renaissance, Baroque |
| Detailed Condition | Good — This vintage/antique item may have some wear such as scratches and other signs of ageing. |
| Restoration and Damage Details | Light wear consistent with age and use, Patina consistent with age and use, Reupholstered, Partially restored |
| Product Code | CYT-2345889 |
| Materials | Oil on Board |
| Color | Multicolored |
| Width | 94 cm 37.0 inch |
| Depth | 12 cm 4.7 inch |
| Height | 109 cm 42.9 inch |


















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