Hot Pamono Philips Wouwerman, Dutch Landscape, 1660, Oil on Panel

Important oil on panel by the great Dutch artist Philips Wouwerman (also Wouwermans) (1619 – 1668) a painter of hunting, landscape and battle scenes.
This beautiful painting depicts a riding hunters party making a halt at an inn door with a serving woman outside a tent.
In the In the background there is another horseman in a red cape going toward an encampment.
Philips Wouwerman was one of the most versatile and prolific artists of the Dutch Golden Age.

This painting, never before on the market, comes from a private collection and is beautified by an impressive antique frame in natural wood, in almost perfect condition.

Certificate of authenticity issued by Sabrina Egidi official Expert in Italian furniture for the Chamber of Commerce of Rome and for the Rome Civil Courts.

Philips Wouwerman embedded in the artistic environment and tradition of his home town of Haarlem, Wouwerman made an important and highly influential contribution to the canon of seventeenth-century Dutch painting.
His pictures were in demand during his lifetime, and even more sought after in the 18th century.
Throughout Europe, formerly princely art collections like in Dresden and St. Petersburg still bear witness to this widespread admiration of Wouwerman’s art.
Born in Haarlem in 1619, the son of a now altogether obscure painter named Pouwels Joostsz Wouwerman, little is known of his artistic schooling.
According to Cornelis de Bie, he studied with Frans Hals (1581/85–1666), but the particular style of Hals didn’t leave a footmark on his oeuvre.
Apart from a short stay in Hamburg at the end of the 1630s, Wouwerman seemed to have lived in Haarlem during his whole artistic career and died as a prosperous member of the community at the age of 48.
He joined the Haarlem Guild of St. Luke in 1640 and here took on several official posts in the years to come.
Wouwerman also worked as an estate agent in his home town, as many documents in Haarlem archives mentioned the artist in this context.
Wouwerman started his artistic career with simple depictions of everyday life in the tradition of the bamboccianti by Pieter van Laer (1592/99–after 1642).
His paintings of the mid-1640s often feature a diagonal slope of land, a tree which functions as a repoussoir, and figures accompanied by horses.
Over the next thirty years he developed an individual style, treating a wide range of subjects from genre and landscape to military and religious scenes (equestrian scenes, hunting and hawking parties, landscapes with travellers, cavalry battles and military encampments, peasants festivities etc.).
He is noted for his skill in the depiction of horses of all breeds seen in motion. The art historian Frederik J. Duparc calls Wouwerman “undoubtedly the most accomplished and successful 17th-century Dutch painter of horses”.
The masterpieces from his best period (around 1650–1660) are of indisputably high quality, beautifully combining imaginary southern landscapes and a typically Dutch atmosphere. Wouwerman’s paintings are characterized by subdued colours, a cool atmosphere and a wealth of witty, anecdotal details.
About 800 pictures were listed in John Smith’s Catalogue raisonné (1829/1842) as the work of Philip Wouwerman.